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Sirish talks about changing how a story is told
About the speaker
Sirish Rao is a writer, producer, cultural curator, âšco-founder & artistic director of Indian Summer Festival.
Sirish was born in Bangalore, India and spent a decade as Director of Tara Books, which he helped grow from a startup into one of Indiaâs most respected publishing houses, with a presence in five continents. Sirish is a published writer whose books have been translated into seventeen languages, and range from commentaries on street art to childrenâs books. In 2005, he received a major commission from the Paul Getty Museum in Los Angeles to create contemporary retellings of a series of ancient Greek plays. The books won the American Associations of Museums Award and âOutstanding Book of the Yearâ at the Independent Publishers Book Awards. He moved to Vancouver in 2010, and co-founded the Indian Summer Festival with his partner Laura Byspalko. In his role as Artistic Director of the festival, Sirish is guided by the root word of festival, which is âfeastâ and imagines the festival as an inviting and garrulous long table where old friends meet and new ones are made. Sirish has been responsible for presenting over a thousand artists on the stages of the festival, in a roster that features Nobel, Booker, Grammy and Oscar Award-winning artists alongside exciting emerging talent. Sirish is deeply committed to playing his part in ensuring that Vancouver is engaged in meaningful conversation with itself and the world.
How do you define creativity and apply it in your life and career?
Creativity is breathing on an ember of imagination just enough for it to reveal a world.
Where do you find your best creative inspiration or energy?
Storytelling. Always in storytelling.
Whatâs one piece of creative advice or a tip you wish youâd known as a young person?
Always be suspicious of people who dispense advice. They usually steer you away from the most interesting things.
Who (living or dead) would you most enjoy hearing speak at CreativeMornings?
The great writer and thinker John Berger.
What fact about you would surprise people?
I didnât go to university and trained as a Himalayan mountain guide instead.
What music are you listening to these days?
Definitely the Moana soundtrack. In my defense, I have a four year old daughter, but I also think itâs pretty fabulous. Iâm a Lin Manuel Miranda fan.
What books made a difference in your life and why?
So many books have been my teachers, that I cannot name just one. As a young person, I lived in two worlds â the world of the surface where I went through the activities that children are meant to do, but always waiting for the moment where I could dive back into the world of stories. I think I realized very early on, that it was the most profound way of travelling.
Favorite quotes from this talk See all
When I think of procrastination, I imagine time as a loop and if you push something far enough along that loop, it will come up behind you and start pushing you. And itâs so much easier to have the flow of the universe at your back.
It is amazing how much you can accomplish if you just ignore thingsâŠ. Realizing what can be ignored⊠remove the demands on your brain that donât really make you do anything other than flurry.
The great poet Rumi said âlanguage is a river, silence is the oceanâ
When it comes to external validation.. I think itâs really important. But I would say: choose who you listen to. Listen to great mentors and teachers.... and be alert to the small voice inside you. If you listen to 1000 impulses of people whoâs opinions are thrown at you quickly and without intent, itâs easy to be buffeted by the winds of opinionâŠ. If you go that way, youâll never move.
Iâm the co-founder and artistic director of Indian Summer Festival, as you know, and in our work now⊠we do our best to create good creative conditions for the artists we work with and who we amplify.. mostly we create space for procrastination, for good marination⊠We always have time for an idea that makes things better. Even if it comes at the last minute.
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