

John Bucher Talks Curiosity
Johnās talk is coming soon.
Here is the link to his Q&A where you get a sense of the morning.
https://photos.app.goo.gl/D56xLERc6MTdpWoH2
ByĀ Shivani Mathur
āIf we donāt feed our curiosity, we will starve it.ā Says mythologist, content creator, but most prominently, in context to this feature, curiosity advocate, Dr. John Bucher. Curiosity to me, is the most paramount element in creating something worthy of being deemed even remotely genius. Itās not only what feeds the soul, itās what fuels quite possibly, your destiny. I was 6 years old when my mother strictly told me to stay away from blades, it was the twisted (but might I add, entertaining) curiosity within me that nudged the rebel inside me and made me question āWhy even? What is she on about? Let me cross-check and see if sheās even rightā ā¦and proceeded to run the blade across my finger. I underwent a deep, painful cut that troubled me for weeks after but at least my curiosity was quenched. This trait continues to follow me, itās why I indulge in esoteric extreme sports despite not being particularly athletic or fit, hop on board with absurd last minute plans, and often take up vague, arduous projects. Despite the sometimes unpleasant consequences of my attempts to feed my curiosity, I live with zero regret, have the funniest stories to share, and surprisingly enough: more than decent accomplishments and sufficient enough stability.
In the talk on the morning of 20th February, Dr. Bucher spoke about lots of themes and phenomena that ties with curiosity: storytelling, problem solving, the global patterns in storytelling that stem from similar curiosities. He shared a profound anecdote about how he finds wax museums compelling because they manage to offer metaphors that represent moments in time and also left us with something very thought provoking when he said, āWriters can learn just as much from culinary chefs as other writers.ā, indicating how learning is constantly accredited to the diversity that we maintain in our curiosity, and not in set algorithms contained within curricula.
I was lucky enough to be able to have a pleasant chat with him after the talk and ask him some questions, hereās an excerpt.You pursued your phD in mythology, which you yourself too admitted is an obscure discipline. What attracted you to mythology?
My interest in mythology really it can be traced back to storytelling and story itself. I am interested in a vast number of things and it became difficult for me sometimes to narrow down what I wanted as a job description for myself. And so eventually I stopped looking at my life that way and so what I did instead was I began to look at my life like an ecosystem. And at the centre of this is story. I have this mountain range of documentary film making, I have this river of writing and books, I have this desert area where I work with theme parks, I have this jungle where I work with escape rooms, and so all these things make up an ecosystem around story telling for me where I donāt have to be interested in just one aspect of story, I can have all these many interests. Now mythology is one of the most significant parts of my ecosystem and the reason I became interested in it is because of my interest in psychology. Iām really interested in why and how human beings do what they do and so that psychology intersects with storytelling in mythology. Mythology is really the intersection of psychology and storytelling. In mythology, we study everything from fairy tales and classic myths to also theology and religious traditions, so we study in depth Islam, Buddhism, Christianity, Judaism, all the religious traditions we study because we view them all through the lens of mythology. These are our stories that people use to make sense of the world and make sense of their own lives. And that was a huge interest to me because I love stories, but my favourite kind of stories were the types of stories that helped people understand something about themselves, about their role in the world and how they can make the world a better place for all of us. Iām also especially interested in stories of what are called underdogs, those that often have been at the fringes and margins of society, so Iām very interested in stories of women, minorities and people groups that have not always had the advantages as the most dominant in a group of people of a culture, so I think mythology often addresses the plight of those people groups, something thatās important to me. Even in my own country, though I am part of a people group that is dominant, I have become very aware of the privilege I enjoy as being part of that, and equality is very important to me, and I wish to use whatever privilege I have to help increase the equality of others that may not have always enjoyed that, and I think mythology speaks about that, Iāll give you one example. Every culture Iāve ever visited, has some version of the Cinderella story, the Cinderella story is an old fairytale originated in France, but every culture has some version of that story, and I think why that story, why that myth resonates with so many people is due to the fact it gives hope, that we can be at one station in life, and one day we can move to a higher station in life. I think as human we need the hope that we can move to higher stations in life and that is an innate part of being human, the desire to have a better life for our children than we did for ourselves and I think the only way we can do that is to make just a little bit of progress, make our lives a little bit better. That is really why mythology became so important to me.
You spoke about fear hindering peopleās creativity. I wanted to ask you, has fear affected your own creativity before? Absolutely, fear for me often manifests itself in the fear around perfectionism. I often become afraid to start projects because I fear that they wonāt be as perfect as they are in my head and that will be frustrating to me. There is an old story about a pottery class in a university. The story goes that on the first day of class the instructor divided the class in half, there were 20 people in the class, and the instructor took 10 students and put them on one side of the room, he took the other 10 and put them on the other side of the room. The instructor tells the first 10 students āI want you to spend all this year trying to make 1 perfect pot. I want you to gather together, measure research and spend as much time as possible to make one perfect potā The other 10 students the instructor told āI want this group to make as many pots as possible, donāt worry about the quality just make as many pots as possibleā. So the students focus on their projects, the first group they measure they research, they do everything they can to make the perfect pot. The second group just make pots all day long as many as they can. At the end of the year, the instructor took the first groups pot, which they had worked on all year, and still found three small blemishes in the pot. The other group, the second group, had made over 300 pots, and 5 of those were perfect. And thereās a good lesson, that sometimes we spend all our time trying to make the perfect project, the perfect piece of art, the perfect story when really the secret to overcoming the fear that surrounds that perfectionism, is creating as much work as possible and in doing that we will make pieces of work that are near perfect they are wonderful. But if we spend all our time in fear that our work will not be perfect, we waste a lot of our time that we could spend into developing ourselves as better artists.
You said as creators, itās okay to put away your phone. In a time where google answers nearly all the questions and aids creativity, can you elaborate on why creators need to keep their phone away?
I love technology, Iām a big fan of tech. However our current tech has eliminated a great deal of mystery from the world. When I was a little boy if I wanted to know about tigers, I had to ask my parents to take me to a library, I had to ask the library for books on tigers I had to read those books, I had to put in a lot of hard work, but also my imagination would fire and I would imagine things about tigers. Now the answer to any questions I may have, I can get at the drop of a hat, in my pocket, and while it can be wonderful it also eliminates much of the mystery in the world, I donāt have to imagine things about the world because I can see immediately the truth of all the details about whatever Iām imagining. For example I might have wondered how it smells inside the Taj Mahal, but now I donāt need that imagination because I can go and google how it smells inside the Taj Mahal and a thousand people would have said this is how it smells inside the Taj Mahal. And so, it eliminates that mystery that bit of work I think that we have to do as creative is find how to employ technology with its greatest effect in our lives without eliminating imagination, without eliminating mystery which are both necessary components for the highest degree of creativity. Itās not that technology is bad in itself, itās when we become lazy and begin to rely on it that it begins to overtake our natural imaginative powers and our imagination becomes these muscles that are weak and not powerful. So donāt let technology rob us of our natural imagination and creativity that lives inside us.
In what way does story telling solve problems?
I love this question. Storytelling solves problems because itās based on how human beings solve problems within their brains. The biggest use of storytelling in solving a problem however is that human beings donāt tend to make decisions based on logic, even though we think they do, but human beings make decisions based on emotions, we make decisions based on how we feel, not what we know. We change our minds not hen we see a collection of facts, but we change our minds when we hear someoneās story. So, if I disliked a certain group of people, you could present all the facts to me as to why that group is people are valuable or worthy, but it wouldnāt change my mind. But meeting and getting to know one person from that people group has more power to change my mind on how I feel about that group of people more than anything else. I believe that offering the world better stories, and helping the world to tell a better stories is one of the best thing we can do as creatives. There have been many many examples throughout history on how a single story has changed an entire culture in a short amount of time.
Why do you think we owe it to ourselves to feed our curiosity?
Our curiosity is what provides a pathway to meaning in our lives, if we are not curious about how the world works, how things work, our lives become boring, they become meaningless. And much violence comes out of a feeling of meaninglessness, it comes out of a feeling of purposelessness, and thereās not much good that comes out of that feeling that there is no meaning to our lives. So, curiosity is necessary to help us Iāve out the best version of ourselves, and we owe it to not only ourselves to be curious but to all those who are living around in this world with us. If we are trying as Ā human beings to make this world a better place we need every voice, we need every person and we need every person being the best version of themselves they can be to accomplish that.
We had a great morning with John and an eclectic mix of professionals and students.


There is always time for a selfie.

The coffee is the 1st place the morning people head for.

Morning people smile a lot!


We loved having an opportunity to speak to John after the event. And as you see from the image (look close) we wanted to make sure we had enough water for John.

