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Join us this morning at the Hansen House for a creative morning like only Jerusalem can do. This monthโ€™s aperitif is Ronen Izhaki, Founder of the Between Heaven and Earth Performance Theatre, who speaks below about Jerusalem and itโ€™s creativity as a city.

โ€œื”ื”ื–ืžื ื” ืฉืœ ื™ืจื•ืฉืœื™ื ื”ื™ื ืœืคื™ื•ื–'ืŸ ืื™ื ืกื•ืคื™ ื‘ืขื•ืœื ื”ื™ืฆื™ืจื” ื”ืขื›ืฉื•ื•ื™ืช.ื‘ืžืกื’ืจืช ืžืจื›ื– ื‘ื™ืŸ ืฉืžื™ื™ื ืœืืจืฅ ืฉืื•ืชื• ืื ื™ ืžื ื”ืœ ืื ื™ ื–ื•ื›ื” ืœืœื•ื•ืช ื™ื•ืฆืจื™ื ื•ื™ื•ืฆืจื•ืช ืฉืžื‘ื™ื ื™ื ืืช ืคื•ื˜ื ืฆื™ืืœ ื”ื™ืฆื™ืจื” ืฉืงืฉื•ืจ ื‘ืจื‘-ืชืจื‘ื•ืชื™ื•ืช ื”ื™ืจื•ืฉืœืžื™ืช ื•ืœืžื ืฃ ืื•ืชื• ืœื”ืคืงื•ืช ืžืงื•ืจ, ืชืจืชื™ ืžืฉืžืข, ืžื‘ื™ืื•ืช ืฉืคื” ืืžื ื•ืชื™ืช ื—ื“ืฉื” ืœืขื•ืœื ื”ืชืจื‘ื•ืช, ื›ื–ื• ืฉืจืœื•ื•ื ื˜ื™ืช ื’ื ืœืฉื™ื— ื”ื—ื‘ืจืชื™ ื”ืฉื•ืืฃ ืœืฉื™ื— ื‘ื™ืŸ ื”ืฉื•ื ื™ื ื•ื”ืื—ืจื™ื ืฉืœ ื”ืชืจื‘ื•ืช ื™ืฉืจืืœื™ืช.โ€

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โ€œWhat makes Jerusalem so attractive is that it is a reflection of and reflected by its contemporary creative world. In the framework of the โ€œBein Shamayim Lโ€™aretzโ€ Center, of which I manage, I am fortunate to collaborate with artists who understand the creative potential of a multicultural Jerusalem and leverage it in original productions, introducing new artistic language to the cultural world, specifically relating to aspirational cultural discourse and a dialogue of appreciation for the diversity in Israeli culture.โ€