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Jennifer Hoyt Tidwell: We Make String Figures

Studio IX

part of a series on Corruption

About the speaker

I am a transdisciplinary theatre and performance artist and activist. A Montessori middle school History and Language Arts teacher. A queer woman. A solo parent. A widow. Part of a museum exhibit. A newly married woman. A former bearded lady in a circus. A former construction worker. A former owner of a web design company. I co-founded a local ladies arm wrestling league (CLAW) which has spawned an international ladies arm wrestling cabal: CLAW (Collective of Lady Arm Wrestlers) which has chapters in over 25 cities. I co-founded PEP, an all-women experimental theater collective with whom I have created original works for 16 years. Most recently, I wrote and directed an all-female electro pop opera called "The Near Misses" based on recorded interviews of near-death experiences. In 2018 I was commissioned to create an outdoor installation at UVA, a looping animatronic performance called "Move Along, Nothing to See Here" in response to the Confederate statue controversy at the center of the white supremacist riots in Charlottesville. Later that year, in a Civil War uniform factory, I produced a performance and art installation entitled “Ghost in Reverse” with 40 artists. In 2017, I wrote and directed Drugsong, a play-opera commissioned by Victory Hall Opera, which premiered at UVA's Brooks Hall. I was the recipient of a VCCA fellowship in 2019 and Bridge Progressive Arts Initiative’s Public Artist in 2016. I was the inaugural guest artist at the UVA Fralin Museum's Intimate Strangers Event. I have an MFA in Playwriting from Hollins.

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