Cuci Amador Cuci Amador
Joel Ivany Joel Ivany
CMmontréal Languaje
Allen Crawford Allen Crawford on Language
Daniel Fraser Language
Tom Hautekiet Tom Hautekiet
Alexander Huerta Alexander Huerta
Yashar Moradbakhti Lingio
Mike Fleisch Mike Fleisch
Courtney Sina Meredith Le Savali: The Journey
Marieke van der Velden & Philip Brink If We All Would Speak the Same Language
The Porch Writers' Collective The Porch Writers’ Collective Tackles the Topic of Language
Milk & Bone The many languages of Milk & Bone
Klone Yourself Artistic Language
Marie-Chantal Bertrand Marie-Chantal Bertrand
Florjan Rojba Sign Language
Adam Connor Adam Connor on Language
Taiyo Yamanouchi Big Bang 4.0
Shruthi K P Language of Mohiniattam
Rachel Gleason and G Foster II Rachel Gleason and G Foster II
Niki Johnson The Language of Expression
Federico Pepe Federico Pepe
Fiona Ramsay Giving voices to souls
Terry Hsieh 2016 Jan. Language
Fiona Ramsay How many accents can you do in 30 seconds?
Peter Wagenaar Tone en Voice
Siobhan McGinnity Musicians for Hearing
Tara Skurtu The Language of Poetry
Henrik Hoeg Henrik Hoeg on LANGUAGE
Brian French French Paper Company | Language
Vanessa Herzet Langage à Liège
El Panfleto El Panfleto
Frau Isa Frau Isa
soomin yim What's your language?
William Ury Getting to Yes
William Ury Q+A
The Audience Takes the Stage 4 interpretation of theme Language
Eeva Chang Eeva Chang
Chris Lewis the story behind the story
Geórgia Macedo Jogos Mundiais Indígenas 2015
Yvon Laplante UQTR - LANGUAGE
Anxo Pérez Creador del método 8belts
Jenna Blazevich Jenna Blazevich
Ken Lam The Sound of Language
Charles Youel Go Make Something
Mike Tosetto Mike Tosetto and the power of visual language and movement
Lena Lenček Lena Lenček
DDm Go on, be shiny
Shannon Sauro The Transformative World of Fandom & Fanfiction
Silvia Guinart Neuromarketing: Enamora y vende más
Sarah Hyndman TypeTasting
Erika Hall "Stop Writing For the Web"
Terrance Hayes About Language and Poems
Camie Bontaites Interpreting ‘Alien’
Kateřina Veselovská How do we count emotions in LANGUAGE?
Rodrigo Brenner Design Invisível
Jill Saydam When Language Meets Creativity.
Ulf K. Bilder ohne Worte.
María del Pilar Montes de Oca Sicilia Lenguaje, reflejo de nuestra cultura (cc)
Erwan Kezzar Le code pour tous
Çiğdem Selışık Önat Body Language
Phil Metres Poetry Is The Dream That Dreams Us
stefan kjartansson Creative Mornings - Atlanta - January 2016 - Stefan Kjartansson
Signmark The Growing Pains of Deaf Musician
Signmark How to communicate with someone who has hearing impairment?
Tey Marianna Nunn Language, Labels & Labeling
Gabriel Vallecillo Lenguaje Artístico
Sergei Gepshtein Let's Talk About Space
Valley Haggard Language: My Evolving Relationship with Words
Hermanas De Tezanos "Códigos y lenguaje de un Clan"
James Adams James Adams
John January Language is magic
Svetozar Georgiev Ghostdog. Physicist. Dramaturg. Poet. Father.
Jamie Denbo Comedy: The Language of Risk
Randy Krum The Language of DataViz
Elissa Blount Moorhead Making Meaning
Leh Poulsen Illustrations - when words aren’t enough
Virgilio Martinez La creatividad en Central Restaurante
Lee Godbold ASL Interpreter
Nicholas Sailer Nicholas Sailer - Language
Nicholas Sailer Nicholas Sailer - Language
CreativeMornings/Edinburgh We are 1!
James Haller The Language of Food
2015 Recap 2015 Recap
Sam Bradd The Visual Language
Jess George How To Talk Like A Girl Detective
Roman Wilhelm Type, Context, Type Culture
Gregg Deal Language and other fancy words
Negotiation is about influence. We're trying to change someone else's mind. How can we possibly expect to influence someone else if we can't first influence ourselves? It all begins with self-mastery.
The real opportunity exists when we expand the pie before you divide it up.
If you think of [negotiation] as a creative challenge, you can see it as an opportunity.
Creativity is our biggest resource in negotiation.
We're having to invent new ways of making decisions together.
Whatever language you speak, it doesn’t serve you to please everyone.
Comedy is provocative.
Yo siempre digo para venir al restaurante debes ser muy buenas personas, gente muy positiva y gente muy creativa: esa es la gente que necesitamos en el restaurante.
Mucha gente que no ha ido a restaurante dice “para qué voy a ir si solo voy a comer pasto, arcilla, bacterias”
Buscamos que no todo tenga que tener un protocolo de cubiertos, servilletas, etc … sino que puedas usar las manos y la experiencia sea mas familiar.
Lo que intentamos mi equipo y yo es siempre estar “en la piel” de la persona que esta sentada: es decir que esta pueda entender lo que el plato desea comunicarle.
Hay casos en que el proceso creativo de un plato puede durar hasta 4 meses mientras se da vuelta a la idea antes de llegar a un producto final.
El proceso creativo es el viajar a un lugar nos basamos en la naturaleza y el ecosistema, las experiencias de las personas, sus costumbres, tradiciones y lo transformamos en un plato.
Muy aparte de tener un restaurante con el compromiso de brindar un buen servicio y hacer feliz a la gente, tratamos de generar una reflexion y la investigación de los productos que estamos usando.
Nosotros cuando hacemos un menu en el restaurante lo que hacemos es planificar que cada plato este a una “altura” y tratar de generar un lenguaje gastronómico que permita expresar lo que pasa en esa altura.
Mater Iniciativa es el grupo donde trabajamos para ver costumbres o productos que no se conocen y los trasladamos a la cocina.
Tratamos de buscar un medio de comunicación entre nosotros y el público por medio del lenguaje gastronómico: muchas veces las actuales formas de comunicación nos esta quedando corto.
Lo que buscamos es generar una conciencia de que lo que se está comiendo es importante, y generar conciencia que eso también es salud.
A los cocineros nos toca trabajar cuando la gente se esta divirtiendo: esa es nuestra principal labor
En todo momento hay un lenguaje con la cocina: cada vez que se alimentan, tienen una comunicación con la naturaleza.
Cuando viajamos a hacer una ponencia, lo que hacemos es llevar tres maletas cargadas de productos de contrabando, pasamos aduanas, nos persinamos, pasamos … y al día siguiente tenemos una gran ponencia con cocina donde el publico espera ver creatividad, innovacion, productos desconocidos y llevar el concepto y experiencia del ecosistema de Perú a otros países
La palabra “Creatividad” tiene varios factores
“El Panfleto es un medio de comunicación que ha construído una manera propia de informar y reconocer una realidad que hasta ahora estaba capturada por un tipo de formalismo”
“Lo de nosotros pasa por no marketear el nombre del redactor, sino concentrarnos en el mensaje”
“Nuestra editorial busca ser verdaderamente imparcial en una realidad en donde los medios se jactan de serlo pero que en realidad no lo son”
“Lo que busca El Panfleto es comunicar las incoherencias de esta sociedad nacional”
“Uno de los temas que abarcamos también es el de la concentración de medios, que consideramos grave que un 80% de la producción de prensa en el Perú sea manejada solo por un grupo de personas”
“La sátira la escogimos porque creemos que por medio de la burla y llevar los prejuicios al extremo podemos hacer que los problemas se puedan visibilizar”
“La forma en la que buscamos transmitir los mensajes es a través de la sátira pero nuestro contenido es la crítica”
“Somos un medio de comunicación qué busca transmitir un mensaje de una forma distinta”
Had I not been keeping in touch with the people form my past internships or from past years of school consistently throughout my whole career, I may not have been able to get as genuine of an opinion from them on whether or not I was ready to launch my business.
You have to believe what you say to people. If you don't believe what you're saying, you're going to come across as ill-equipped, unprepared, unsure, and weak.
The only way to create good interactive language is by interacting with other people.
It’s so strange that we can type all day long in these chat interactions, but when your brain goes into “writing mode,” it explodes.
For knowledge to be preserved, it had to be expressed in interesting, memorable words. Because if the knowledge didn’t persist in the thought of a living human, it disappeared. And I kind of wish we had that today.
Visual language, it's not just there to be seen, it also interacts with all of our senses!
Typography, it's kind of wonderful!
I also felt this immense social responsibility with my voice, to be giving a voice to others
En la forma de hablar y escribir se nota lo que el ser humano es.
La lengua es lo que somos, es tu tarjeta de presentación.
El lenguaje es el portador de la cultura
No puedes lograr más que nadie, haciendo lo mismo que todos.
Without language you can't live.
It's hard to change things when you don't have a common language. It's hard to get your voice heard if you don't know the language.
First you have to create the scene and then you can work in it.
And at that time I decided, I will conquer the world.
And I knew that music is one hugely effective way of giving information to people; to the hearing, to the deaf — for the both.
For the first time, I really realized: "who am I?" And I realized what is my language, what is my culture, what is my history, what is my community. And I decided that I needed to do something about this.
The single biggest obstacle to us getting what we really need and want in life is right here. It's ourselves. It's in our very natural human tendency to react.
Maybe the greatest power we have in negotiation is the power *not* to react.
Starting to write things down really changed the way that we formulated and communicated thoughts.
There is a language to silence and reflection and being able to appreciate things that we tend to lose track of very easily because life moves pretty quickly.
When you take a risk you don't just risk being not liked, you risk being loved.
Assim como um poeta escolhe cada palavra baseada no significado dela - cada rima, cada trecho com muito cuidado e carinho - em cada elemento de um produto é interessante pensar na essência. Cada elemento tem um porquê. Seria como um essencialismo: a essência da forma.
Uma das coisas que eu sou mais apaixonado por Design é que quando você cria um produto, muito provavelmente aquele produto vai continuar existindo mesmo depois da gente partir dessa vida aqui. Isso significa que uma parte de você vai continuar aqui. Uma parte de você vai ser imortal. Que parte você quer deixar aqui?
What's the difference between a chef and a cook? A cook heats a pan up, and puts a piece of something into it, and they are cooking. A chef adds a glass of wine.
Nothing is a failure - it either needs more salt or more sugar.
A cook heats a pan up and adds something to it. A chef adds a glass of wine.
Big fonts are not data visualizations.